Sisyphus
Reassembling the pieces of the grave inscription to the tomb of Isak v. Hofmannsthal.
Entries by lci
Pompeii at Mead Art Museum
Pompeii 2008 at right in the exhibition This Just In! at Mead Art Museum, Amherst College, a show of recent acquisitions (at left untitled scrollworks by Sunil Madhav Sen) © Mead Art Museum, Amherst College (photo by Stephen Petegorsky)
Bedroom (no. 1) and Bedroom (no. 3) at Hamish Morrison Galerie
Bedroom (no. 1) and Bedroom (no. 3) 2010 at center; installation view at Family Matters, Hamish Morrison Galerie, Berlin 2013, together with works by Andrey Klassen and Ani Eloyan
Aunt Dorothy at Hamish Morrison Galerie
Aunt Dorothy (no. 1) 2006, second from left; installation view at Family Matters, Hamish Morrison Galerie, Berlin 2013, next to works by Ben Webb and Deborah Luster
Pompeii at Cleveland Museum of Art
Pompeii 2008 (left of oil painting); installation view in the Cleveland Museum of Art show The Last Days of Pompeii: Decadence, Apocalypse, Resurrection, here with works by Tacita Dean, Jacob Moore, and Randolph Rogers
Pompeii and The Bed at Cleveland Museum of Art
Pompeii 2008 (second from left, behind figure) and The Bed 2008 (far right), installation view in the Cleveland Museum of Art show The Last Days of Pompeii: Decadence, Apocalypse, Resurrection; The Bed is now part of the museum’s permanent collection
Ice Floe at Sigmund Freud Museum
Ice Floe 2012, video installation at Archivaria, Sigmund Freud Museum, Vienna (photo by Severin Koller)
Music Room and Untitled at Sigmund Freud Museum
Music Room 2010 (left) and Untitled (Fourteen Years of Checks) 2007; installation view at Archivaria, Sigmund Freud Museum, Vienna (photo by Severin Koller)
On the Ice, Sky Library, and Lock at Sigmund Freud Museum
On the Ice 2012 (left), Sky Library 2012 (table), and Lock 2012; installation view at Archivaria, Sigmund Freud Museum, Vienna (photo by Severin Koller)
Ancestor II at Sigmund Freud Museum
Ancestor II 2012; installation view at Archivaria, Sigmund Freud Museum, Vienna (photo by Severin Koller)